Classical |
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160 - Persimmon back and sides. Port Orford Cedar top. EIR
bridge, fingerboard (16" radius), and peghead veneer. Black
Walnut neck and binding. Rubner tuners. French polish
finish. The bracing pattern is based on a 1923 Classical guitar by
Santos Hernandez. This one is a bit louder and stronger than any of the classicals that I have built. The stiffness to weight ratio of the Port Orford Cedar top is higher than Sitka Spruce or Western Red Cedar so it can be quite thin. The resulting sound, while strong, isn't as warm as that of the Western Red Cedar top. $3350 |
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138 - Osage Orange Back and Sides. Cedar top, Spanish Cedar neck. Macassar Ebony fingerboard. EIR bridge. Black Walnut trim. Sloan tuners. French Polish finish. The bracing pattern is based on a 1923 Classical guitar by Santos Hernandez. I have been on the quest for a great sounding classical guitar for years. I'm getting closer and closer. This is the best so far. The trebles are strong and penetrating, but the guitar still has a warm, full strum. The action is low and quick. It definitely has a strong voice. $3350 See it at The House of Musical Traditions |
141 - Another based on the 1923 classical by Santos
Hernandez. This one has all American woods--Osage Orange
back and sides, fingerboard, and bridge, Black Cherry neck, Black
Walnut trim. The fingerboard has a 16" radius. French
polish finish. Rubner tuners. Brilliant trebles and it
plays nicely. $3350 |
32 - Engelmann top, East Indian Rosewood back and sides.
2" nut. It has modified fan bracing with a curved harmonic
bar and 5 struts. The sound is balanced and it plays
well. The finish is standard french polish. $2000 |
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Santos 1923 asymmetric pattern in #138. |